Rodgers and Hammerstein didn’t mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
Rodgers and Hammerstein didn’t mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.
At the Isle of Wight, the sound went out and kind of kept on going. And I wasn’t… when I came off stage I was kind of unhappy about how we had played. But now, I listen back to those recordings and it’s not bad.
We don’t really make bad records, though some people might like some more than others. And we have never really done a bad show. So I think in a way maybe we’ve been taken for granted.
But I would never insult the people that love this music and I would never insult the blessing of music in my life and I would never insult myself by playing uninspired music.
I think my first album opened a lot of doors for me to push the freedom of speech to the limit.
If you truly dig what you are doing, if you lay it out that way, nobody can not respond. That’s what rock and roll is; it’s relentless.
Music is either sacred or secular. The sacred agrees with its dignity, and here has its greatest effect on life, an effect that remains the same through all ages and epochs. Secular music should be cheerful throughout.
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