I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.
I would just like to say that opera is no longer about fat people in breastplates shattering wine glasses.
Happy songs are very difficult to write. How many truly great upbeat songs are there?
I’ve broken my nose, I’ve broken ribs. You name it. In fact, we just got back from South America, and I fell over a monitor speaker on the stage and almost ended up in the front row of the audience. I managed to sprain my wrist on that one but luckily nothing was broken.
I like working solo and it was a lot of fun joking around with the audience, saying things. I’m only just learning how to do certain things.
Critics have their purposes, and they’re supposed to do what they do, but sometimes they get a little carried away with what they think someone should have done, rather than concerning themselves with what they did.
The real problems are cultural. The problems of the people who take drugs as a cultural trap – I think there’s a real problem there, the crack stuff, the hopelessness of the junkie. The urban angst.
I don’t want to abandon one work for the other, and I don’t think I need to sacrifice anything to put my all into either one of them.
I’ve been that celebrity on the red carpet, and I appreciate that something hasn’t got to just look good from the front, from the back, it’s got to look good at all angles.
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