I’m very manipulative towards directors. My theory is that everyone on the set is directing the film, we’re all receiving art messages from the universe on how we should do the film.
I’m very manipulative towards directors. My theory is that everyone on the set is directing the film, we’re all receiving art messages from the universe on how we should do the film.
As far as the lack of hits goes, I think perhaps it’s because I’ve played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
This idea of how everything is interconnected, and the impermanence of things. It sums up the human condition to me, and it helps me on my path.
I don’t think I ever went down that movie star path. I always enjoy taking a 90-degree turn from the last thing I did.
What are the aspects of yourself that line up with the character? You magnify those, and the ones that don’t match up you kind of kick to the curb.
One of the things I want to do that’s outside the realm of acting and the arts – although both have their place in this – is ending childhood hunger here in America.
For me, growing up, the downside of it was that as a kid you don’t want to stand out. You don’t want to have a famous father let alone get a job because of your famous father, you know? But I’m a product of nepotism. That’s how I got my foot in the door, through my dad.
The problem with the designated driver programme, it’s not a desirable job. But if you ever get sucked into doing it, have fun with it. At then end of the night drop them off at the wrong house.
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