I don’t believe in accidents. There are only encounters in history. There are no accidents.
I don’t believe in accidents. There are only encounters in history. There are no accidents.
When you start with a portrait and search for a pure form, a clear volume, through successive eliminations, you arrive inevitably at the egg. Likewise, starting with the egg and following the same process in reverse, one finishes with the portrait.
Who sees the human face correctly: the photographer, the mirror, or the painter?
If all the ways I have been along were marked on a map and joined up with a line, it might represent a minotaur.
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