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French architecture always manages to combine the most magnificent underlying themes of architecture; like Roman design, it looks to the community.

The Egyptian tomb was the outcome of the Mesopotamian influence and followed from the religious crisis the country had undergone.

It is thought that the changeover from hunter to farmer was a slow, gradual process.

The English light is so very subtle, so very soft and misty, that the architecture responded with great delicacy of detail.

The interior of the house personifies the private world; the exterior of it is part of the outside world.

The Industrial Revolution was another of those extraordinary jumps forward in the story of civilization.

The logic of Palladian architecture presented an aesthetic formula which could be applied universally.

What people want, above all, is order.

In the Scottish Orkneys, the little stone houses with their single large room and central hearth had an extraordinary range of built-in furniture.

The garden, by design, is concerned with both the interior and the land beyond the garden.